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Indexing Demystified

When I had finished my indexing course several years ago, my friends would ask me, “what is indexing?” I tried explaining it in simple terms, thus making this craft sound even more mysterious. For those who have been wondering what indexing is all about, I’ll try my best to describe it in this article.


Indexing can have several definitions. The term “web indexing” refers to the process of storing web contents, while “search engine indexing” means collecting and storing web data for “fast and accurate information retrieval.”[1]The indexing I’m referring to can be best understood in the context of books, journals, monographs, and other similar media. Basically, an index is a list of terms you’ll find at the end of most non-fiction books, and indexing is the process of generating such list.

Creating a high-quality index involves a great deal of analytical thinking and of course attention to detail. An indexer will read a text, try to locate the key concept and terms, and analyze ways they are interrelated. A good index will always have a lot of sub-entries, references, and even double postings.

Some of the issues around the index-making process involve size requirements made by an author/publisher. If an index needs not to exceed a certain number of pages, choosing the right entries/sub-entries might become a challenge. An indexer will need to learn how to balance between making detailed references and economizing space–a very daunting task. Nevertheless, an indexer’s job can be very rewarding, as he/she gets to read a lot of books from many fields. Many former librarians, Ph.D graduates, and, broadly speaking, humanities majors choose to become indexers. Indexing is in demand in many fields, including sciences and law.

Why every non-fiction book should have an index

During the past years, I had came across a few amazing books that didn’t have indexes. Since I was reading them for personal enjoyment, this lacking didn’t affect me too much. However, if I were to use one of them for a research project or simply wanted to find a specific term, a problem would arise. Surely, one can use a table of contents to navigate around a book, but what about specific terms? How can one find them without an index? The answer is going page by page. The process can quickly become wearisome for a reader and may affect his/her perception of the whole book. That’s why every non-fiction title, especially a scholarly one, should have a carefully-written index. Not only will it enrich the content but will also make the entire book more user-friendly.

Knowing your options as an author

As a non-fiction author, you have several options including writing your own index or using computerized software to create one.  There is nothing wrong with either of them. It’s even possible to generate one using the “Insert Index” feature located under the “References” tab in Microsoft Office.[2] To do so, you’ll have to mark entries first using the “Mark Entry” button, also located under the “References” tab. [3] If you click on the button, you’ll be able to key in sub-entries, cross references, and page ranges, as well as choose the format for page numbers. Although this method  may sound easy, you might end up with extra work, such as reversing some of the terms manually (i.e., “indexing, the art of” instead of “the art of indexing”) and ensuring these terms stay in an alphabetic order.

To avoid the hassle and to save time, you can always hire a professional indexer. Indexers use specialized software that alphabetizes all entries and sub-entries automatically and can format documents according to individual preferences (i.e., either run-in or indented). Also, if you want your sub-entries organized in a non-alphabetical order but to follow a certain chronology, your indexer will take care of that.  Even if you’ve already written an index, it’s always good to get a second opinion. Hiring an indexer might sound like a costly undertaking, but it will definitely be a great investment.


American Society for Indexing 

Indexing Society of Canada

A Good Index,” by Siusan Moffat.

The Good Lands/Un Territoire À Partager

Good_LandsI’m excited to announce that the book I worked on this past summer is now available for purchase. Titled The Good Lands and written by Victoria Dickenson, Naomi Fontaine, and Lee Maracle, this book features some of the most notable works that reflect Native Canadian and Native-inspired art. Among the images, you’ll find acrylic, watercolor, and oil paintings; historic maps; photographs; woodwork; and even rock art from Canadian national parks. In addition to the artworks, the book also includes short chapters and poems written by different authors who share their views on nature and art and their role in shaping of Canada’s identity.

While the overall tone of the book appears to be positive, the authors and artists also touch upon the darker topics, such as past wars, injustices, and current environmental issues. The book includes an entire chapter devoted to the military art and a few artworks, such as Carapace by Brian Jungen, make an allusion to industrialization and its impact on our environment.

The idea beyond this project was “to celebrate the beauty and power of our shared spaces, and a reminder that we all live by the gifts of the land. This is a book that acknowledges the power of art to reveal what is hidden, to make visible the landscapes of our imagination.” Despite the past tensions between the Europeans and the Natives, the authors seem to be optimistic about future. They believe that art can help us to create common grounds for dialogue between different ethnic groups that now occupy Canadian soil. It is interesting to note that not all the artists presented in The Good Lands have Native background, but almost all have some form of affinity with Native culture. Local landscapes, wildlife, and cultural elements (i.e., Indigenous clothes, canoes) are the most common themes of their artworks.

As the proofreader, I was responsible for the final version of the French counterpart, Un Territoire À Partager. I must say that it’s been also a wonderful opportunity to work with talented people who are highly knowledgeable of the subject matter. In the process, I learned about the power of teamwork, as the project involved a lot of communication with different parties, including authors, fellow editors, and the publisher’s management team.

Both English and French versions are now available online at Amazon and Chapters Indigo as well as through local bookstores. To learn more about the book, you can also visit the publisher’s page created specifically for The Good Lands.